The documentary film book / edited by Brian Winston.
This major new collection, edited by the leading British authority in the field, provides a broad and thorough introduction to documentary cinema. Contributions from leading international scholars address the history and nature of documentary, debates about truth and ethics, and documentary cinema i...
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| Format: | Book |
| Language: | English |
| Published: | Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan on behalf of the British Film Institute, 2013. |
| Subjects: |
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| 050 | 0 | 0 | |a PN1995.9.D6 |b D56 2013 |
| 090 | |a PN1995.9.D6 |b D56 2013 | ||
| 245 | 0 | 4 | |a The documentary film book / |c edited by Brian Winston. |
| 264 | 1 | |a Houndmills, Basingstoke, Hampshire ; |a New York : |b Palgrave Macmillan on behalf of the British Film Institute, |c 2013. | |
| 300 | |a xv, 400 pages : |b illustrations ; |c 26 cm. | ||
| 336 | |a text |b txt |2 rdacontent. | ||
| 337 | |a unmediated |b n |2 rdamedia. | ||
| 338 | |a volume |b nc |2 rdacarrier. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a This major new collection, edited by the leading British authority in the field, provides a broad and thorough introduction to documentary cinema. Contributions from leading international scholars address the history and nature of documentary, debates about truth and ethics, and documentary cinema in different national contexts and genres. | ||
| 505 | 0 | 0 | |g Foreword: |t Why documentaries matter |r / Nick Fraser -- |g Introduction: |t The filmed documentary / |r Brian Winston -- |g Part 1. Documentary values: |t The question of evidence, the power of rhetoric and documentary film / |r Bill Nichols -- |t 'I'll believe it when I trust the source' : documentary images and visual evidence / |r Carl Plantinga -- |t The performing film-maker and the acting subject / |r Stella Bruzzi -- |t On truth, objectivity and partisanship : the case of Michael Moore / |r Douglas Kellner -- |t CGI and the end of photography as evidence / |r Taylor Downing -- |t Drawn From life : the animated documentary / |r Andy Glynne -- |t Dramadoc? : docudrama? : the limits and protocols of a televisual form / |r Derek Paget -- |t Ambiguous audiences / |r Annette Hill -- |t Life As narrativised / |r Brian Winston -- 'The dance of documentary ethics' / |r Pratap Rughani -- |t Deaths, transfigurations and the future / |r John Corner. -- |
| 505 | 8 | 0 | |g Part 2. Documentary paradigms: |t Problems in historiography : the documentary tradition before Nanook of the North / |r Charles Musser -- |t John Grierson and the documentary film movement / |r Ian Aitken -- |t Challenges for change : Canada's National Film Board / |r Thomas Waugh and Ezra Winton -- |t Grierson's legacies : Australia and New Zealand / |r Deane Williams -- |t New Deal documentary and the North Atlantic welfare state / |r Zoë Druick and Jonathan Kahana -- |t The triumph of observationalism : direct cinema in the USA / |r Dave Saunders -- |t Soviet and Russian documentary: from Vertov to Sokurov / |r Ian Christie -- |t The radical tradition in documentary film-making, 1920s-50s / |r Bert Hogenkamp -- |t Le groupe des Trente : the poetic tradition / |r Elena Von Kassel Siambani -- |t Cinéma vérité : Vertov revisited / |r Geneviève Van Cauwenberge -- |t Beyond sobriety : documentary diversions / |r Craig Hight. -- |
| 505 | 8 | 0 | |g Part 3. Documentary horizons: |t Eastwards / |r Abé Mark Nornes -- |t Mapping Africa / |r N. Frank Ukadike -- |t Images from the south : contemporary documentary in Argentina and Brazil / |r Ana Amado and Maria Dora Mourão -- |t 'Roadblock' films, 'children's resistance' films and 'blood relations' films : Israeli and Palestinian documentary post-Intifada II / |r Raya Morag -- |t Sacred, mundane and absurd revelations of the everyday : poetic vérité in the Eastern European tradition / |r Susanna Helke. -- |
| 505 | 8 | 0 | |g Part 4. Documentary voices: |t First-person political / |r Alisa Lebow -- |t Feminist documentaries : finding, seeing and using them / |r Julia Lesage -- |t Pioneers of Black documentary film / |r Pearl Bowser -- |t Documentary identity / |r Christopher Pullen -- |t Docusoaps : the ordinary voice as popular entertainment / |r Richard Kilborn -- Reality TV : a sign of the times? / |r Anita Biressi and Heather Nunn. -- |
| 505 | 8 | 0 | |g Part 5. Documentary disciplines: |t Anthropology : the evolution of ethnographic film / |r Paul Henley -- |t Science, society and documentary / |r Tim Boon -- |t History documentaries for television / |r Ann Gray -- |t Music, documentary, music documentary / |r Michael Chanan -- |t Art, documentary as art / |r Michael Renov. -- |g Part 6. Documentary futures: Documentary as open space / |r Helen de Michiel and Patricia R. Zimmermann -- |t 'This great mapping of ourselves' : new documentary forms online / |r John Dovey and Mandy Rose -- |t New platforms for 'docmedia' : 'varient of a manifesto' / |r Peter Wintonick -- Afterword: 'What must we film now?' / |r Brian Winston -- Index. |
| 505 | 8 | 0 | |g Part 6. Documentary futures: |t Documentary as open space / |r Helen de Michiel and Patricia R. Zimmermann -- |t 'This great mapping of ourselves' : new documentary forms online / |r John Dovey and Mandy Rose -- |t New platforms for 'docmedia' : 'varient of a manifesto' / |r Peter Wintonick -- |g Afterword: |t 'What must we film now?' / |r Brian Winston -- |g Index. |
| 590 | |a 2/2/16 englb epp. | ||
| 650 | 0 | |a Documentary films |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2008117526. | |
| 650 | 0 | |a Documentary films |x Social aspects. | |
| 700 | 1 | |a Winston, Brian, |e editor. |0 http://id.loc.gov/authorities/names/n85315481. | |
| 710 | 2 | |a British Film Institute. |0 http://id.loc.gov/authorities/names/n80075864. | |
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