Jazz as critique : Adorno and Black expression revisited / Fumi Okiji.
Bringing critical theory to bear on music, this book argues that the jazz form models progressive social relations through its foregrounding of a ""communal self, "" an African-American subjectivity that demands recognition of black humanity and alterity
Đã lưu trong:
Truy cập trực tuyến: | Electronic book from EBSCO |
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Tác giả chính: | |
Định dạng: | eBook |
Ngôn ngữ: | English |
Được phát hành: | Stanford, California : Stanford University Press, [2018] ©2018 |
Những chủ đề: |
Mục lục:
- Jazz, individualism and the black modern
- Double consciousness and the critical potential of black expression
- Black dwelling, a refuge for the homeless
- Storytelling, sound and silence
- Postscript : some thoughts on the inadequacy and indispensability of jazz records.