Global art cinema : new theories and histories / edited by Rosalind Galt, Karl Schoonover.
"Art cinema" has for over fifty years defined how audiences and critics imagine film outside Hollywood, but surprisingly little scholarly attention has been paid to the concept since the 1970s. And yet in the last thirty years art cinema has flourished worldwide. The emergence of East Asia...
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| Online Access: | Electronic book from EBSCO |
|---|---|
| Other Authors: | |
| Format: | eBook |
| Language: | English |
| Published: | New York : Oxford University Press, 2010. |
| Subjects: |
| LEADER | 02726cam a2200445Ia 4500 | ||
|---|---|---|---|
| 001 | ocn593240222 | ||
| 003 | OCoLC | ||
| 005 | 20220818213019.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 100402s2010 nyua ob 001 0 eng d | ||
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| 019 | |a 1038406008 |a 1043307008 | ||
| 020 | |a 9780199726295 |q (electronic bk.) | ||
| 020 | |a 0199726299 |q (electronic bk.) | ||
| 020 | |z 9780195385625 |q (cloth ; |q alk. paper) | ||
| 020 | |z 9780195385632 |q (pbk. ; |q alk. paper) | ||
| 035 | |a (OCoLC)593240222 |z (OCoLC)1038406008 |z (OCoLC)1043307008 | ||
| 050 | 4 | |a PN1995 |b .G543 2010eb | |
| 082 | 0 | 4 | |a 791.4301 |2 22 |
| 049 | |a LAFW | ||
| 245 | 0 | 0 | |a Global art cinema : |b new theories and histories / |c edited by Rosalind Galt, Karl Schoonover. |
| 260 | |a New York : |b Oxford University Press, |c 2010. | ||
| 300 | |a 1 online resource (xxiv, 384 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Foreword; Contents; Cotributors; Introduction: the impurity of art cinema; Part I. Delimiting the field; Part II. The art cinema image; Part III. Art cinema histories; Part IV. Geopolitical intersections; critical Bibliography; Index. | |
| 520 | |a "Art cinema" has for over fifty years defined how audiences and critics imagine film outside Hollywood, but surprisingly little scholarly attention has been paid to the concept since the 1970s. And yet in the last thirty years art cinema has flourished worldwide. The emergence of East Asian and Latin American new waves, the reinvigoration of European film, the success of Iranian directors, and the rise of the film festival have transformed the landscape of world cinema. This book brings into focus art cinema's core internationalism, demonstrating its centrality to understanding film. | ||
| 588 | 0 | |a Print version record. | |
| 506 | |a Access limited to authorized users. | ||
| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 650 | 0 | |a Independent filmmakers. | |
| 655 | 0 | |a Electronic books. | |
| 700 | 1 | |a Galt, Rosalind. | |
| 700 | 1 | |a Schoonover, Karl. | |
| 773 | |t EBSCOhost Ebook Collection. | ||
| 776 | 0 | 8 | |i Print version: |t Global art cinema. |d New York : Oxford University Press, 2010 |z 9780195385625 |w (DLC) 2009026100 |w (OCoLC)419264117 |
| 856 | 4 | 0 | |u http://ezproxy.lafayette.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=312232 |z Electronic book from EBSCO |