The cinema of poetry /

Informed by the criticism of iconic filmmaker Pier Pasolini, The Cinema of Poetry offers spirited explorations of poetry's influence on classic films by Dimitri Kirsanoff, Ingmar Bergman, and Andrey Tarkovsky. It also highlights how avant-garde films made by Joseph Cornell, Lawrence Jordan, Jer...

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Bibliographic Details
Main Author: Sitney, P. Adams.
Format: Book
Language:English
Published: New York : Oxford University Press, [2015]
Subjects:
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245 1 4 |a The cinema of poetry /  |c P. Adams Sitney. 
264 1 |a New York :  |b Oxford University Press,  |c [2015] 
264 4 |c ©2015. 
300 |a xii, 276 pages :  |b illustrations ;  |c 25 cm. 
336 |a text  |b txt  |2 rdacontent. 
337 |a unmediated  |b n  |2 rdamedia. 
338 |a volume  |b nc  |2 rdacarrier. 
504 |a Includes bibliographical references (pages 257-270) and index. 
520 |a Informed by the criticism of iconic filmmaker Pier Pasolini, The Cinema of Poetry offers spirited explorations of poetry's influence on classic films by Dimitri Kirsanoff, Ingmar Bergman, and Andrey Tarkovsky. It also highlights how avant-garde films made by Joseph Cornell, Lawrence Jordan, Jerome Hiler, Gregory Markopoulos, and others found rich, unexpected sources of inspiration in a diverse group of poets that includes Stéphane Mallarmé, Emily Dickinson, H.D., Ezra Pound, Robert Duncan, John Ashbery, and Aeschylus. Written with verve and panache, it represents the culmination of P. Adams Sitney's career-long fascination with the intersection of poetry, film, and the avant-garde. --  |c Publisher's description. 
505 0 |a Introduction: An autobiography of enthusiasms -- Part 1. Poetry and the narrative cinema in Europe -- Pier Paolo Pasolini and "the 'cinema of poetry'" -- Dimitri Kirsanoff's Ménilmontant -- Ingmar Bergman's Primal scene -- Andrey Tarkovsky's concept of poetry -- Part 2. Poetry and the American avant-garde cinema -- The dialectic of experience in Joseph Cornell's films -- Lawrence Jordan's magical instructions -- Stan Brakhage's poetics -- Nathaniel Dorsky, Jerome Hiler, and the polyvalent film -- Markopoulos and the Temenos. 
590 |a 10/22/15 englb epp. 
650 0 |a Experimental films  |z Europe  |x History and criticism. 
650 0 |a Experimental films  |z United States  |x History and criticism.  |0 http://id.loc.gov/authorities/subjects/sh2008120085. 
650 0 |a Poetry in motion pictures.  |0 http://id.loc.gov/authorities/subjects/sh2013001514. 
650 0 |a Motion pictures  |x Aesthetics.  |0 http://id.loc.gov/authorities/subjects/sh85088085. 
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