The holiday in his eye : Stanley Cavell's vision of film and philosophy /

Presents an original, insightful, and compelling vision of the trajectory of Cavell's oeuvre, one that takes his kinship with Emerson as inextricably bound up with his ever-deepening thinking about movies.

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Bibliographic Details
Online Access:Electronic book from EBSCO
Main Author: Rothman, William (Author)
Format: eBook
Language:English
Published:Albany : State University of New York Press, [2021]
Subjects:
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100 1 |a Rothman, William,  |e author. 
245 1 4 |a The holiday in his eye :  |b Stanley Cavell's vision of film and philosophy /  |c William Rothman. 
264 1 |a Albany :  |b State University of New York Press,  |c [2021] 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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520 |a Presents an original, insightful, and compelling vision of the trajectory of Cavell's oeuvre, one that takes his kinship with Emerson as inextricably bound up with his ever-deepening thinking about movies. 
505 0 |a Intro -- Contents -- Preface -- 1 Cavell Reading Cavell -- 2 Introduction to Reading Cavell's "The World Viewed" (with Marian Keane) -- 3 Sights and Sounds (with Marian Keane) -- 4 The Acknowledgment of Silence (with Marian Keane) -- 5 Cavell's Philosophy and What Film Studies Calls "Theory" -- Statement Read at Plenary Session of the 1991 Society for Cinema Studies Annual Meeting -- 6 Response to Vivian Sobchack's The Address of the Eye -- 7 Pursuits of Happiness: Cavell in Transition -- 8 In Defense of Pursuits of Happiness -- 9 Viewing the World in Black and White -- Now, Voyager -- Stella Dallas -- Blonde Venus -- Show Boat -- Imitation of Life -- 10 Cavell's Creation -- Who Is Stanley Cavell? -- Who Is Cary Grant? -- "Stella's Taste" -- 11 Nostalgia Ain't What It Used to Be -- 12 Cavell on Film, Television, and Opera (excerpts) -- "The Fact of Television" -- Contesting Tears -- "Opera and the Lease of Voice" -- "Opera in and as Film" -- 13 Cavell on Film: Introduction -- 14 The Same Again, Only a Little Different: Cavell's Two Takes on The Philadelphia Story -- 15 Cavell, Emerson, Hitchcock: Reflections Inspired by Stanley Cavell's Cities of Words -- 16 On Richard Allen's "Hitchcock and Cavell" -- 17 Introduction to Must We Kill the Thing We Love? Emersonian Perfectionism and the Films of Alfred Hitchcock -- 18 On Stanley Cavell's Band Wagon -- Epilogue -- 19 "Excerpts from Memory": Autobiography, Film, and the Double Existence of Cavell's Philosophical Prose -- 20 Stanley Cavell, Victor Perkins, and the Personal -- Afterword -- Works Cited -- Index. 
506 |a Access limited to authorized users. 
650 0 |a Philosophy, American  |y 20th century. 
650 0 |a Motion pictures  |x Philosophy. 
650 0 |a Motion pictures  |x Aesthetics. 
655 0 |a Electronic books. 
773 |t EBSCOhost Ebook Collection. 
776 0 8 |i Print version:  |z 9781438486055  |z 1438486057  |w (DLC) 2021024192  |w (OCoLC)1240772055 
856 4 0 |u http://ezproxy.lafayette.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2740082  |z Electronic book from EBSCO