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03638cam a2200469 i 4500 |
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on1132286137 |
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OCoLC |
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20221028155049.0 |
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m o d |
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191222s2019 nyua ob 001 0 eng d |
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|a YDX
|b eng
|e pn
|c YDX
|d N$T
|d EBLCP
|d OCLCF
|d OCLCQ
|d UKAHL
|d OCLCO
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| 020 |
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|a 9781438475806
|q (electronic bk.)
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|a 1438475802
|q (electronic bk.)
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|z 9781438475790
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|z 1438475799
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|z 9781438475783
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|z 1438475780
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|a (OCoLC)1132286137
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|a PN1995
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|a 791.43
|2 23
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| 049 |
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|a LAFW
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|a Rothman, William,
|e author.
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|a Tuitions and intuitions :
|b essays at the intersection of film criticism and philosophy /
|c William Rothman.
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|a Albany :
|b State University of New York Press,
|c [2019]
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a The SUNY series, horizons of cinema
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|a Includes bibliographical references and index.
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|a Online resource; title from PDF file page (EBSCO, viewed December 26, 2019).
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|a Intro -- Contents -- Acknowledgments -- Preface -- Introduction: How John the Baptist Kept His Head, or My Life in Film Philosophy -- Part I: A Philosophical Perspective -- 1 Why Not Realize Your World? William Rothman interviewed by Jeffrey Crouse -- How Films Think -- Democracy On The March -- 2 Silence and Stasis -- 3 Film and Modernity -- 4 André Bazin as Cavellian Realist -- Ontology -- Realism -- 5 What Becomes of the Camera in the World on Film? -- Part II: Studies In Criticism -- 6 "I Never Thought I Should Sink So Low as to Become an Actor": John Barrymore in Twentieth Century
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|a A New Act -- How to Scream -- 7 "I Look Up, I Look Down": James Stewart in Vertigo -- 8 Hats Off for George Cukor! -- The Cukor Manner -- Perfecting Possibilities -- The Hol(l)iday In Cukor's Eye -- 9 Woody Allen's New York -- 10 Blood is Thicker than Water: The Family in Hitchcock -- Marriage -- Family -- Mothers And Sons -- Mothers And Daughters -- 11 Space and Speech in the Films of Yasujiro ̄Ozu -- 12 Romance, Eroticism, and the Camera's Gaze in Jean Genet's Un Chant d'amour -- 13 Face to Face with Chantal Akerman -- 14 Precious Memories in Philosophy and Film
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|a 15 Seeing the Light in The Tree of Life -- 16 A Film That Is Also a Handshake: Philosophy in the Films of the Dardenne Brothers -- 17 Justifying Justified -- 18 Documentary Film in Boston in the 1970s and 1980s -- 19 Sometimes Daddies Don't Talk about Things Like That: Ross McElwee's Bright Leaves -- 20 Jean Rouch as Film Artist: Turu and Bitti, Funeral at Bongo: The Old Anaï (1848-1972), Ambara Dama -- The Drums Of Yore: Turu And Bitti -- Funeral At Bongo: The Death Of Old Anaï (1848-1971) -- Ambara Dama (to Enchant Death)
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|a Postscript: Rouch's Theories About Film As Reflected In Close-up And Vertigo -- 21 Dancing with Gardner: Robert Gardner's Films on Art -- 22 Dead Birds Re-Encountered: A Journey of Return -- Ethnography -- Wali -- Weyak -- Pua -- Every Story Has An Ending -- Notes -- References -- Index
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|a Access limited to authorized users.
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|a Motion pictures.
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| 650 |
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|a Film criticism
|x Philosophy.
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| 830 |
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|a SUNY series, horizons of cinema.
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| 773 |
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|t EBSCOhost Ebook Collection.
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| 856 |
4 |
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|u http://ezproxy.lafayette.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2331790
|z Electronic book from EBSCO
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