Jane Austen's Emma : philosophical perspectives / edited by E.M. Dadlez.

Legend has it that, when asked whether he still read novels, the philosopher Gilbert Ryle responded "Yes, all six, every year," referring to Jane Austen's six completed works. Her novels have invited an unusual degree of explicitly philosophical attention from scholars, none more so t...

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Bibliographic Details
Online Access:Electronic book from Oxford Scholarship Online
Other Authors: Dadlez, E. M. 1956- (Editor)
Format: eBook
Language:English
Published:New York : Oxford University Press, [2018]
©2018
Series:Oxford studies in philosophy and literature.
Subjects:
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245 0 0 |a Jane Austen's Emma :  |b philosophical perspectives /  |c edited by E.M. Dadlez. 
264 1 |a New York :  |b Oxford University Press,  |c [2018] 
264 4 |c ©2018 
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337 |a computer  |b c  |2 rdamedia 
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490 1 |a Oxford studies in philosophy and literature 
504 |a Includes bibliographical references and index. 
588 0 |a Online resource; title from PDF title page (EBSCO, viewed September 24, 2018). 
505 0 |a Introduction; 1. Love and Friendship: Achieving Happiness in Jane Austen's Emma; 2. Emma's Pensive Meditations; 3. Emma and Defective Action; 4. "A Danger at Present Unperceived": Self-​Understanding, Imagination, Emotion, and Social Stance in Emma; 5. The Many Faces of Gossip in Emma; 6. The Reconstrual of Imagination and Romance; 7. Misreading Emma; 8. The Dilemma of Emma: Substance, Style, and Story; Index 
520 |a Legend has it that, when asked whether he still read novels, the philosopher Gilbert Ryle responded "Yes, all six, every year," referring to Jane Austen's six completed works. Her novels have invited an unusual degree of explicitly philosophical attention from scholars, none more so than Emma. That is unsurprising, given that Austen's writing invariably addresses questions about virtue and vice, human interaction and rivalry, motivation and commitment, presenting readers with ethical and other dilemmas set in a variety of naturalistic contexts. Questions about social and economic class and social obligations are raised. Austen reflects on self-knowledge and self-awareness, considers how it is that people justify their convictions, and investigates both the nature and the effects of imagination and emotion on human conduct and choices. She dwells on the ways in which evidence is taken note of or disregarded, and the effects of biases on decision and action. Accordingly, many philosophers have a decided soft spot for Austen, and reading Austen is often held to promote philosophical reflection. Emma offers particular opportunities for such reflection, evident when style as well as content is considered. Emma's radically experimental presentation of events through the distorting lens of the protagonist's mind, what is now referred to as free indirect style, foregrounds Austen's then-unique blending of third- and first-person points of vantage. Such narratival perspective-shifting presents unique opportunities for insight and reflection. Among Emma's manifold stylistic innovations are also the hilariously Joycean stream-of-consciousness monologues, capturing in an instant a portrait of character, state of mind, and motivations 
506 |a Access limited to authorized users. 
600 1 0 |a Austen, Jane,  |d 1775-1817.  |t Emma. 
600 1 0 |a Austen, Jane,  |d 1775-1817  |x Criticism and interpretation. 
600 1 0 |a Austen, Jane,  |d 1775-1817  |x Philosophy. 
630 0 7 |a Emma (Austen, Jane)  |2 fast  |0 (OCoLC)fst01356338 
650 0 |a Literature  |x Philosophy. 
700 1 |a Dadlez, E. M.  |q (Eva M.),  |d 1956-  |e editor. 
776 0 8 |i Print version:  |t Jane Austen's Emma.  |d New York : Oxford University Press, [2018]  |w (DLC) 2017059876  |w (OCoLC)1021061997 
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830 0 |a Oxford studies in philosophy and literature. 
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