Movement as meaning in experimental cinema : the musical poetry of motion pictures revisited /

This title offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval,...

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Détails bibliographiques
Accès en ligne:Electronic book from EBSCO
Auteur principal: Barnett, Daniel, 1944- (Auteur)
Format: eBook
Langue:English
Publié:New York : Bloomsbury Academic, 2017.
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