Finks : how the CIA tricked the world's best writers /
"When news broke that the CIA had colluded with literary magazines to produce cultural propaganda throughout the Cold War, a debate began that has never been resolved. The story continues to unfold, with the reputations of some of America's best-loved literary figures--including Peter Matt...
Saved in:
| Online Access: | Electronic book from EBSCO |
|---|---|
| Main Author: | |
| Format: | eBook |
| Language: | English |
| Published: | New York : OR Books, [2016] ©2016 |
| Subjects: |
| LEADER | 04387cam a2200589 i 4500 | ||
|---|---|---|---|
| 001 | ocn967513482 | ||
| 003 | OCoLC | ||
| 005 | 20230127113639.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 170103t20162016nyuaf ob 001 0 eng d | ||
| 010 | |a 2017275519 | ||
| 040 | |a TEFOD |b eng |e rda |e pn |c TEFOD |d CUR |d TEFOD |d HCO |d OCLCF |d JSTOR |d YDX |d MM9 |d UX1 |d WAU |d OCLCQ |d N$T |d OCLCO |d INARC |d OCLCO | ||
| 020 | |a 9781682190258 |q (electronic book) | ||
| 020 | |a 1682190250 |q (electronic book) | ||
| 020 | |a 1944869263 |q (electronic book) | ||
| 020 | |a 9781944869267 |q (electronic bk.) | ||
| 020 | |z 9781944869137 |q (hardcover) | ||
| 020 | |z 9781682190241 |q (paperback) | ||
| 035 | |a (OCoLC)967513482 |z (OCoLC)964682500 |z (OCoLC)1175640261 | ||
| 037 | |a B80FC5CD-4660-4C85-BDBE-9D3F26679A70 |b OverDrive, Inc. |n http://www.overdrive.com | ||
| 037 | |a 566A3DA4-7B1B-495C-A232-8933288762D4 |b OverDrive, Inc. |n http://www.overdrive.com | ||
| 037 | |a 22573/ctv6086xb |b JSTOR | ||
| 041 | 0 | |a eng | |
| 043 | |a n-us--- | ||
| 046 | |k 2016 |2 edtf | ||
| 049 | |a LAFW | ||
| 100 | 1 | |a Whitney, Joel, |c (Journalist), |e author. | |
| 245 | 1 | 0 | |a Finks : |b how the CIA tricked the world's best writers / |c Joel Whitney. |
| 246 | 3 | 0 | |a How the CIA tricked the world's best writers |
| 264 | 1 | |a New York : |b OR Books, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (329 pages, 11 unnumbered pages of plates) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a "First printing 2016." | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: A lit'r'y coup -- Graduates -- The responsibility of editors -- Pasternak, the CIA, and Feltrinelli -- The Paris Review goes to Moscow -- Did the CIA censor its magazines? -- James Baldwin's protest -- Into India -- The US coup in Guatemala -- Cuba: a portrait by Figueres, Plimpton, Hemingway, García Márquez, part 1 -- Cuba: a portrait by Plimpton, Hemingway and García Márquez, part 2 -- Tools rush in: Pablo Neruda, Mundo Nuevo and Keith Botsford -- The vital center cannot hold -- Blowback -- Coda: Afghanistan. | |
| 520 | |a "When news broke that the CIA had colluded with literary magazines to produce cultural propaganda throughout the Cold War, a debate began that has never been resolved. The story continues to unfold, with the reputations of some of America's best-loved literary figures--including Peter Matthiessen, George Plimpton, and Richard Wright--tarnished as their work for the intelligence agency has come to light. Finks is a tale of two CIAs, and how they blurred the line between propaganda and literature. One CIA created literary magazines that promoted American and European writers and cultural freedom, while the other toppled governments, using assassination and censorship as political tools. Defenders of the 'cultural' CIA argue that it should have been lauded for boosting interest in the arts and freedom of thought, but the two CIAs had the same undercover goals, and shared many of the same methods: deception, subterfuge and intimidation. Finks demonstrates how the good-versus-bad CIA is a false divide, and that the cultural Cold Warriors again and again used anti-Communism as a lever to spy relentlessly on leftists, and indeed writers of all political inclinations, and thereby pushed U.S. democracy a little closer to the Soviet model of the surveillance state."--Publisher description. | ||
| 588 | 0 | |a Print version record. | |
| 506 | |a Access limited to authorized users. | ||
| 610 | 1 | 0 | |a United States. |b Central Intelligence Agency |x History |y 20th century. |
| 610 | 1 | 0 | |a United States. |b Central Intelligence Agency |x Influence. |
| 650 | 0 | |a Propaganda |z United States |x History |y 20th century. | |
| 650 | 0 | |a Politics and culture |z United States. | |
| 650 | 0 | |a Freedom and art |x Political aspects |z United States. | |
| 651 | 0 | |a United States |x Cultural policy. | |
| 776 | 0 | 8 | |i Print version: |a Whitney, Joel, (Journalist). |t Finks. |d New York, NY : OR Books, [2016] |z 9781944869137 |w (DLC) 2017275519 |w (OCoLC)952389413 |
| 773 | |a EBSCOhost Ebook Collection. | ||
| 856 | 4 | 0 | |u http://ezproxy.lafayette.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2720275 |z Electronic book from EBSCO |