The mountains in art history /
The first English-language study of mountains as subject matter and inspiration for the visual arts.
Saved in:
Online Access: | Electronic book from EBSCO |
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Other Authors: | |
Format: | eBook |
Language: | English |
Published: | Middletown, CT : Wesleyan University Press, 2017. |
Subjects: |
LEADER | 03180cam a22004578i 4500 | ||
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001 | ocn962025896 | ||
003 | OCoLC | ||
005 | 20220818213019.0 | ||
006 | m o d | ||
007 | cr ||||||||||| | ||
008 | 161101s2017 ctu ob 000 0 eng | ||
010 | |a 2016050449 | ||
040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCO |d OCLCQ |d N$T |d YDX |d EBLCP |d TEFOD |d MERUC |d MZA |d OCLCQ |d AGLDB |d IGB |d CN8ML |d SNK |d INTCL |d MHW |d BTN |d AUW |d OCLCQ |d VTS |d JBG |d STF |d INT |d D6H |d OCLCQ |d G3B |d S8I |d S8J |d S9I |d OCLCQ |d K6U |d OCLCO | ||
020 | |a 9780819577306 |q (electronic bk.) | ||
020 | |a 0819577308 |q (electronic bk.) | ||
020 | |z 9780819577290 |q (pbk. ; |q alk. paper) | ||
035 | |a (OCoLC)962025896 | ||
042 | |a pcc | ||
050 | 1 | 0 | |a N8213 |
082 | 0 | 0 | |a 704.9/436143 |2 23 |
049 | |a LAFW | ||
245 | 0 | 4 | |a The mountains in art history / |c edited by Peter Mark ; with Peter Helman and Penny Snyder. |
263 | |a 1701 | ||
264 | 1 | |a Middletown, CT : |b Wesleyan University Press, |c 2017. | |
300 | |a 1 online resource | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b n |2 rdamedia | ||
338 | |a online resource |b nc |2 rdacarrier | ||
504 | |a Includes bibliographical references. | ||
588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
505 | 0 | |a Title Page; Copyright Page; Introduction: "Coming Round" Again -- Peter Mark; Mountains in Italian Renaissance Depictions of "The Sacrifice of Isaac" -- Penny Snyder; Analyzing Frederic Church's The Heart of the Andes with Joseph Addison's Neoclassical and Prototypical Theory of Artistic Criticism -- Matthew Kim; Wordsworth's Alps -- Elizabeth Deatrick; John Ruskin, Turner, and the Romantic Pursuit of Truth -- Avery Chase; The Power of the Sublime in the Mountains -- Page Nelson; The Intersection of Alpine Passes and Landscape Painting -- Gordon Pignato. | |
505 | 8 | |a Terrible Beauty: Artistic Representations of the White Mountains in the Nineteenth Century -- Peter HelmanThanatopsis: A Vision of Change in Nineteenth Century America -- Penny Snyder; The South American Mountains of Alexander von Humboldt and Frederic Edwin Church -- Elizabeth Deatrick; From Postcards to Watercolors: Emil Nolde (1867-1956) and the Medium of the Mountains -- William Wiebe; Arnold Fanck and German Bergfilm -- Jackson Sabes; This Wild Country: Jack Kerouac's The Dharma Bums and the Mountains -- Catherine Walsh; King Ortler; Climbing as Experience, a photo essay -- Peter Mark. | |
505 | 8 | |a Appendix: The Course Syllabus -- ARHA 296: The Mountains and Art HistoryAcknowledgements. | |
520 | |a The first English-language study of mountains as subject matter and inspiration for the visual arts. | ||
506 | |a Access limited to authorized users. | ||
650 | 0 | |a Mountains in art |x Historiography. | |
655 | 0 | |a Electronic books. | |
700 | 1 | |a Mark, Peter, |d 1948- |e editor. | |
773 | |t EBSCOhost Ebook Collection. | ||
776 | 0 | 8 | |i Print version: |t Mountains in art history. |d Middletown, CT : Wesleyan University Press, 2017 |z 9780819577290 |w (DLC) 2016049088 |
856 | 4 | 0 | |u http://ezproxy.lafayette.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1464367 |z Electronic book from EBSCO |