The cinema of poetry /
'The Cinema of Poetry' emphasizes the vibrant world of European cinema in addition to incorporating the author's long abiding concerns on American avant-garde cinema.
Saved in:
Online Access: | Electronic book from Oxford Scholarship Online |
---|---|
Main Author: | |
Format: | eBook |
Language: | English |
Published: |
New York :
Oxford University Press,
[2015]
|
Subjects: |
LEADER | 02916cam a2200541Ii 4500 | ||
---|---|---|---|
001 | ocn903531104 | ||
003 | OCoLC | ||
005 | 20220923104620.0 | ||
006 | m o d | ||
007 | cr cnu|||||||| | ||
008 | 150217t20152015nyua ob 001 0 eng | ||
040 | |a LGG |b eng |e rda |e pn |c LGG |d NLGGC |d YDXCP |d OH1 |d QCL |d OCLCF |d N$T |d OCLCO |d OCLCQ |d UKOUP |d CSAIL |d BUF |d CEF |d U3W |d WYU |d YOU |d OCLCQ |d RDF |d SFB |d OCLCO | ||
019 | |a 900213693 |a 900819070 |a 904183810 |a 953456777 |a 1066445993 |a 1298447050 | ||
020 | |a 9780199370405 |q (ebook) | ||
020 | |a 0199370400 |q (ebook) | ||
020 | |a 9780199337040 | ||
020 | |a 0199337047 | ||
020 | |z 9780199337033 |q (print) | ||
020 | |z 9780199337026 |q (print) | ||
020 | |z 0199337020 | ||
020 | |z 0199337039 | ||
035 | |a (OCoLC)903531104 |z (OCoLC)900213693 |z (OCoLC)900819070 |z (OCoLC)904183810 |z (OCoLC)953456777 |z (OCoLC)1066445993 |z (OCoLC)1298447050 | ||
043 | |a e------ |a n-us--- | ||
050 | 4 | |a PN1995.9.E96 |b S48 2015 | |
082 | 0 | 4 | |a 791.43/6 |2 23 |
049 | |a LAFW | ||
100 | 1 | |a Sitney, P. Adams, |e author. | |
245 | 1 | 4 | |a The cinema of poetry / |c P. Adams Sitney. |
264 | 1 | |a New York : |b Oxford University Press, |c [2015] | |
264 | 4 | |c ©2015 | |
300 | |a 1 online resource (xii, 276 pages) : |b illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction: An autobiography of enthusiasms -- Part I. Poetry and the Narrative Cinema in Europe: 1. Pier Paolo Pasolini and "the cinema of 'poetry'"l 2. Dimitri Kirsanoff's Ménilmontant; 3. Ingmar Bergman's Primal scene; 4. Andrey Tarkovsky's concept of poetry -- Part II. Poetry and the American Avant-Garde Cinema: 5. The dialectic of experience in Joseph Cornell's films; 6. Lawrence Jordan's Magical instructions; 7. Stan Brakhage's poetics; 8. Nathaniel Dorsky, Jerome Hiler, and the polyvalent film; 9. Markopoulos and the Temenos. | |
546 | |a Text in English. | ||
588 | 0 | |a Print version record. | |
520 | 8 | |a 'The Cinema of Poetry' emphasizes the vibrant world of European cinema in addition to incorporating the author's long abiding concerns on American avant-garde cinema. | |
506 | |a Access limited to authorized users. | ||
650 | 0 | |a Experimental films |z Europe |x History and criticism. | |
650 | 0 | |a Experimental films |z United States |x History and criticism. | |
650 | 0 | |a Poetry in motion pictures. | |
650 | 0 | |a Motion pictures |x Aesthetics. | |
776 | 0 | 8 | |i Electronic reproduction of (manifestation): Sitney, P. Adams. |t Cinema of poetry. |d New York : Oxford University Press, [2015] |z 9780199337026 |w (DLC) 2014002191 |w (OCoLC)881385713 |
773 | |t Oxford Scholarship Online. | ||
856 | 4 | 0 | |u http://ezproxy.lafayette.edu/login?url=https://academic.oup.com/book/4655 |z Electronic book from Oxford Scholarship Online |