Music, Authorship, and the Book in the First Century of Print.
What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music's adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of...
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| Online Access: | Electronic book from EBSCO Electronic book from EBSCO |
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| Main Author: | |
| Format: | eBook |
| Language: | English |
| Published: | Berkeley : University of California Press, 2013. |
| Subjects: |
| LEADER | 03987cam a2200469Mu 4500 | ||
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| 001 | ocn861559023 | ||
| 003 | OCoLC | ||
| 005 | 20220818213019.0 | ||
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| 100 | 1 | |a Van Orden, Kate. | |
| 245 | 1 | 0 | |a Music, Authorship, and the Book in the First Century of Print. |
| 260 | |a Berkeley : |b University of California Press, |c 2013. | ||
| 300 | |a 1 online resource (257 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 505 | 0 | |a Cover; Title; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction; What Is an Author?; Partbooks, Choirbooks, and Beyond; The Cultures of Print; From Mass to Chanson; 1. The World of Books; Anthologies and Anonyms; The Names of Authors; 2. Music Books and Their Authors; Editors and Craftsmen; Choirbooks, Masses, and Fame; The Real Stories behind Single- Composer Choirbooks; 3. Authors of Lyric; The Parisian Chanson and Composers as Autheurs -- The Lyric Economy at Mid- Century; 4. The Book of Poetry Becomes a Book of Music; Settings of Ronsard's Poetry, 1550-1570. | |
| 505 | 8 | |a Les Amours de P. de Ronsard Misesen MusiqueA Culture of Music Books; Books, Bibliothèques, and Bibliographies; 5. Resisting the Press: Performance; Notes; Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z. | |
| 520 | |a What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music's adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 506 | |a Access limited to authorized users. | ||
| 655 | 0 | |a Electronic book. | |
| 773 | |t EBSCOhost Ebook Collection. | ||
| 776 | 0 | 8 | |i Print version: |a Van Orden, Kate. |t Music, Authorship, and the Book in the First Century of Print. |d Berkeley : University of California Press, ©2013 |z 9780520276505 |
| 856 | 4 | 0 | |u http://ezproxy.lafayette.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=650447 |z Electronic book from EBSCO |
| 856 | 4 | 0 | |u http://ezproxy.lafayette.edu/login?url=https://www.jstor.org/stable/10.1525/j.ctt4cgg0j |z Electronic book from EBSCO |