Vital crises in Italian cinema : iconography, stylistics, politics /

Examining over 20 key works of the period, this book identifies and explores the major thematic crises at the heart of seminal films produced by the likes of Vittorio De Sica, Luchino Visconti, Michael Antonioni, and Federico Fellini.

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Bibliografiske detaljer
Online adgang:Electronic book from EBSCO
Hovedforfatter: Sitney, P. Adams.
Format: eBog
Sprog:English
Udgivet:New York : Oxford University Press, 2013.
Udgivelse:1st paperback ed.
Fag:
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100 1 |a Sitney, P. Adams. 
245 1 0 |a Vital crises in Italian cinema :  |b iconography, stylistics, politics /  |c P. Adams Sitney. 
250 |a 1st paperback ed. 
260 |a New York :  |b Oxford University Press,  |c 2013. 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- Rossellini's resistance -- Visconti: the national language, dialect, and the southern question -- De sica's and zavattini's neopopulism -- Between the vital crises -- Annus mirabilis -- Antonioni's psychoanalysis of the "boom" -- New wave neorealism: Pasolini, Olmi, Rosi -- Conclusion. 
588 0 |a Print version record. 
520 |a Examining over 20 key works of the period, this book identifies and explores the major thematic crises at the heart of seminal films produced by the likes of Vittorio De Sica, Luchino Visconti, Michael Antonioni, and Federico Fellini. 
520 |b First published in 1995 b, P. Adams Sitney's Vital Crises in Italian Cinema has become a work of enduring importance in the study of Italian films produced from 1945-1963. Examining over twenty key works of the period, Sitney identifies and explores the major thematic crises at the heart of seminal films produced by the likes of Vittorio De Sica, Luchino Visconti, Michael Antonioni, and Federico Fellini. The debate over regional dialects and a unified national languagefind reflection in Visconti's La terra trema and its source, the novel I Malavoglia. The father-son relationship serves as an opportunity to consider the tension between filial loyalty and individuality in works such as Uccellacci e uccellini and Ladri di biciclette. Romantic love juxtaposed with lust againstthe background of Roman Catholic iconography exemplifies another recurring predicament in the nation's cinema. Rocco i suoi fratelli, La dolce Vita, and Accatone all feature female and male characters grappling with the idea of woman as either the epitome of Marian virtue or Magdalene-like sexuality. With each film under discussion, Sitney provides the relevant political and cultural context to demonstrate how the changes in Italian life found their way into cinematic art. A new afterwordextends the range of the study to the early 1970s, as it considers the pastoral ideal deflated by urban reality in Padre Padrone and L'albero degli zoccoli. 
506 |a Access limited to authorized users. 
650 0 |a Motion pictures  |z Italy  |x History and criticism. 
655 0 |a Electronic books. 
773 |t EBSCOhost Ebook Collection. 
776 0 8 |i Print version:  |z 9780199862177  |z 0199862176  |w (DLC) 2012029869 
856 4 0 |u http://ezproxy.lafayette.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=525853  |z Electronic book from EBSCO 
891 |a .o11603598