Eyes upside down : visionary filmmakers and the heritage of Emerson /
Introduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sight...
সংরক্ষণ করুন:
| অনলাইন ব্যবহার করুন: | Electronic book from EBSCO |
|---|---|
| প্রধান লেখক: | |
| বিন্যাস: | বৈদ্যুতিন গ্রন্থ |
| ভাষা: | English |
| প্রকাশিত: | Oxford ; New York : Oxford University Press, 2008. |
| বিষয়গুলি: |
সূচিপত্রের সারণি:
- Contents; Introduction: Emersonian Poetics; 1 Marie Menken and the Somatic Camera; 2 Ian Hugo and Superimposition; 3 Stan Brakhage's Autobiography as a Cinematic Sequence; 4 Jonas Mekas and the Diary Film; 5 Hollis Frampton and the Specter of Narrative; 6 Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe; 7 Beavers's Second Cycle: The Past in the Present--the Present in the Past; 8 Andrew Noren and the Open-Ended Cinematic Sequence; 9 Ernie Gehr and the Axis of Primary Thought; 10 Warren Sonbert's Movements in a Concerto; 11 Brakhage and the Tales of the Tribes.