Eyes upside down : visionary filmmakers and the heritage of Emerson /
Introduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sight...
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Acceso en línea: | Electronic book from EBSCO |
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Autor principal: | |
Formato: | eBook |
Lenguaje: | English |
Publicado: | Oxford ; New York : Oxford University Press, 2008. |
Materias: |
LEADER | 04607cam a2200553 a 4500 | ||
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001 | ocn227011388 | ||
003 | OCoLC | ||
005 | 20220818213019.0 | ||
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043 | |a n-us--- | ||
050 | 4 | |a PN1995.9.E96 |b S49 2008eb | |
082 | 0 | 4 | |a 791.430973 |2 22 |
049 | |a LAFW | ||
100 | 1 | |a Sitney, P. Adams. | |
245 | 1 | 0 | |a Eyes upside down : |b visionary filmmakers and the heritage of Emerson / |c P. Adams Sitney. |
260 | |a Oxford ; |a New York : |b Oxford University Press, |c 2008. | ||
300 | |a 1 online resource (xiv, 417 pages) : |b illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
504 | |a "Chronology of films": pages 401-408 | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a Contents; Introduction: Emersonian Poetics; 1 Marie Menken and the Somatic Camera; 2 Ian Hugo and Superimposition; 3 Stan Brakhage's Autobiography as a Cinematic Sequence; 4 Jonas Mekas and the Diary Film; 5 Hollis Frampton and the Specter of Narrative; 6 Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe; 7 Beavers's Second Cycle: The Past in the Present--the Present in the Past; 8 Andrew Noren and the Open-Ended Cinematic Sequence; 9 Ernie Gehr and the Axis of Primary Thought; 10 Warren Sonbert's Movements in a Concerto; 11 Brakhage and the Tales of the Tribes. | |
520 | |a Introduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe. 7. Beavers's Second Cycle: The Past in the Present - The Present in the Past. 8. Andrew Noren and the Open-Ended Cinematic Sequence. 9. Ernie Gehr and the Axis of Primary Thought. 10. Warren Sonbert's Movements in a Concerto. 11. Brakhage and the Tales of the Tribes. 12. | ||
546 | |a English. | ||
506 | |a Access limited to authorized users. | ||
600 | 1 | 0 | |a Emerson, Ralph Waldo, |d 1803-1882 |x Influence. |
650 | 0 | |a Experimental films |z United States |x History and criticism. | |
655 | 0 | |a Electronic books. | |
773 | |t EBSCOhost Ebook Collection. | ||
776 | 0 | 8 | |i Print version: |a Sitney, P. Adams. |t Eyes upside down. |d Oxford ; New York : Oxford University Press, 2008 |z 9780195331141 |z 0195331141 |w (DLC) 2007031171 |w (OCoLC)163603750 |
856 | 4 | 0 | |u http://ezproxy.lafayette.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=223862 |z Electronic book from EBSCO |