Eyes upside down : visionary filmmakers and the heritage of Emerson /

Introduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sight...

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Online Access:Electronic book from EBSCO
Main Author: Sitney, P. Adams.
Format: eBook
Language:English
Published: Oxford ; New York : Oxford University Press, 2008.
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100 1 |a Sitney, P. Adams. 
245 1 0 |a Eyes upside down :  |b visionary filmmakers and the heritage of Emerson /  |c P. Adams Sitney. 
260 |a Oxford ;  |a New York :  |b Oxford University Press,  |c 2008. 
300 |a 1 online resource (xiv, 417 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
504 |a "Chronology of films": pages 401-408 
588 0 |a Print version record. 
505 0 |a Contents; Introduction: Emersonian Poetics; 1 Marie Menken and the Somatic Camera; 2 Ian Hugo and Superimposition; 3 Stan Brakhage's Autobiography as a Cinematic Sequence; 4 Jonas Mekas and the Diary Film; 5 Hollis Frampton and the Specter of Narrative; 6 Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe; 7 Beavers's Second Cycle: The Past in the Present--the Present in the Past; 8 Andrew Noren and the Open-Ended Cinematic Sequence; 9 Ernie Gehr and the Axis of Primary Thought; 10 Warren Sonbert's Movements in a Concerto; 11 Brakhage and the Tales of the Tribes. 
520 |a Introduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe. 7. Beavers's Second Cycle: The Past in the Present - The Present in the Past. 8. Andrew Noren and the Open-Ended Cinematic Sequence. 9. Ernie Gehr and the Axis of Primary Thought. 10. Warren Sonbert's Movements in a Concerto. 11. Brakhage and the Tales of the Tribes. 12. 
546 |a English. 
506 |a Access limited to authorized users. 
600 1 0 |a Emerson, Ralph Waldo,  |d 1803-1882  |x Influence. 
650 0 |a Experimental films  |z United States  |x History and criticism. 
655 0 |a Electronic books. 
773 |t EBSCOhost Ebook Collection. 
776 0 8 |i Print version:  |a Sitney, P. Adams.  |t Eyes upside down.  |d Oxford ; New York : Oxford University Press, 2008  |z 9780195331141  |z 0195331141  |w (DLC) 2007031171  |w (OCoLC)163603750 
856 4 0 |u http://ezproxy.lafayette.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=223862  |z Electronic book from EBSCO