Eyes upside down : visionary filmmakers and the heritage of Emerson /

Introduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sight...

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Bibliographic Details
Online Access:Electronic book from EBSCO
Main Author: Sitney, P. Adams.
Format: eBook
Language:English
Published: Oxford ; New York : Oxford University Press, 2008.
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Summary:Introduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe. 7. Beavers's Second Cycle: The Past in the Present - The Present in the Past. 8. Andrew Noren and the Open-Ended Cinematic Sequence. 9. Ernie Gehr and the Axis of Primary Thought. 10. Warren Sonbert's Movements in a Concerto. 11. Brakhage and the Tales of the Tribes. 12.
Physical Description:1 online resource (xiv, 417 pages) : illustrations
Bibliography:Includes bibliographical references and index.
"Chronology of films": pages 401-408
ISBN:9780198044116
0198044119
1281342246
9781281342249
9786611342241
6611342249
Access:Access limited to authorized users.