Musical symbolism in the operas of Debussy and Bartók : trauma, gender, and the unfolding of the unconscious /
The authors explore the means by which two early 20th-century operas - Debussy's 'Pelléas et Mélisande' (1902) and Bartók's 'Duke Bluebeard's Castle' (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical lang...
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| Online Access: | Electronic book from Oxford Scholarship Online |
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| Format: | eBook |
| Language: | English |
| Published: | Oxford ; New York : Oxford University Press, 2004. |
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