Mortu nega /

California Newsreel has released Flora Gomes' now classic, Mortu Nega, to commemorate three starkly dissimilar events. 1998 marked both the 25th anniversary of the independence of Guinea-Bissau and the assassination of its leader Amilcar Cabral but it was also the year that country virtually an...

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Bibliographic Details
Online Access:Streaming video from Academic Video Online
Other Authors: Gomes, Flora, 1949- (Director), Zajdermann, Jacques (Producer), Fonseca, Maria Cecilia (Producer), Rosa, Odette (Producer)
Format: Video
Language:Creole
English
Published:San Francisco, CA : California Newsreel, 1988.
Subjects:
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245 0 0 |a Mortu nega /  |c the Library of African Cinema, a project of California Newsreel ; uma produção da Guine-Bissau ; adaptação e dialogo, Flora Gomes, David Lang ; produção, Jacques Zajdermann, Odette Rosa, Maria Cicilia Fonseca ; um filme de Flora Gomes. 
246 3 1 |a Those whom death refused 
264 1 |a San Francisco, CA :  |b California Newsreel,  |c 1988. 
300 |a 1 online resource (92 minutes) 
306 |a 013220 
336 |a two-dimensional moving image  |b tdi  |2 rdacontent 
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337 |a video  |b v  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file  |2 rda 
500 |a Title from resource description page (viewed October 17, 2017). 
506 |a Access limited to authorized users. 
511 1 |a Bia Gomes, Eugenio Almada, Uri Mamadu Balde, M'Male Nhasse. 
520 |a California Newsreel has released Flora Gomes' now classic, Mortu Nega, to commemorate three starkly dissimilar events. 1998 marked both the 25th anniversary of the independence of Guinea-Bissau and the assassination of its leader Amilcar Cabral but it was also the year that country virtually annihilated itself in a brutal civil war. Produced in 1988 near the midpoint of these dates, Mortu Nega, as its title implies, is a unique kind of elegy - not so much to the victims of the liberation struggle as to its survivors. Like the Zimbabwean film Flame (1996) and Gomes' own more disillusioned second feature Udju Azul di Yonta (1991), it is a bittersweet eulogy to those veterans who gave so much yet often benefited so little from the struggle. The film poses a question facing much of Africa at the start of the 21st century: with the goal of independence achieved, what can serve as an equally unifying and compelling vision around which to construct a new society? Or as Chris Marker observed in his 1980 documentary San Soleil, coincidentally contemplating the decay of Guinea-Bissau's revolution: "What every revolutionary thinks the morning after victory: now the real problems begin." 
546 |a In Criolo with English subtitles. 
586 |a Won 1998 Venice Film Festival, C.I.C.A.E. Award - Special Mention 
586 |a Won 1998 Venice Film Festival, Elvira Notari Prize - Special Mention 
650 0 |a Postwar reconstruction  |z Guinea-Bissau  |v Drama. 
651 0 |a Guinea-Bissau  |x History  |y Revolution, 1963-1974  |v Drama. 
651 0 |a Guinea-Bissau  |x Social conditions  |v Drama. 
655 7 |a Fiction films.  |2 lcgft 
655 7 |a Feature films.  |2 lcgft 
700 1 |a Gomes, Flora,  |d 1949-  |e director. 
700 1 |a Zajdermann, Jacques,  |e producer. 
700 1 |a Fonseca, Maria Cecilia,  |e producer. 
700 1 |a Rosa, Odette,  |e producer. 
710 2 |a Instituto Nacional de Cinema (Guinea-Bissau),  |e production company. 
773 |t Academic Video Online. 
776 0 8 |i Original version:  |w (OCoLC)180941991 
856 4 0 |u https://ezproxy.lafayette.edu/login?url=http://www.aspresolver.com/aspresolver.asp?MARC;3644111  |z Streaming video from Academic Video Online